Digital Tutors - Designing Elegant Product Visualizations in CINEMA 4D and After Effects

1. 01. Introduction and project overview.mp49.69MB
2. 02. Beginning our watch design.mp424MB
3. 03. Creating the first gear.mp419.4MB
4. 04. Duplicating cogs for the gear.mp422.58MB
5. 05. Creating a gear one-third the size of our first gear.mp421.9MB
6. 06. Creating decorative patterns for the insides of the gears.mp437.99MB
7. 07. Making spirals for the gear decorations.mp441.56MB
8. 08. Designing the watch faces.mp421.48MB
9. 09. Adding detail to the watch face.mp441.26MB
10. 10. Making a far outer rim with our existing path.mp419.91MB
11. 11. Adding minute ticks.mp429.68MB
12. 12. Designing the hands.mp431.74MB
13. 13. Saving our Illustrator paths and outlines to use as splines in CINEMA.mp413.33MB
14. 14. Setting up the CINEMA 4D project and importing paths to CINEMA 4D.mp449.36MB
15. 15. Creating the main watch casing.mp480.68MB
16. 16. Creating the outer rims with a sweep.mp468.4MB
17. 17. Using extrude with our watch faces and hands.mp457.78MB
18. 18. Extruding the gears.mp432.67MB
19. 19. Trouble-shooting splines that create problematic geometry.mp439.41MB
20. 20. Creating the large gear from multiple splines.mp474.45MB
21. 21. Using an array and boole to make the minute ticks.mp468.92MB
22. 22. Using booles to make room for the gears.mp466.09MB
23. 23. Creating glass for the face and inner section.mp465.84MB
24. 24. Sweeping the circles for realistic details.mp452.11MB
25. 25. Creating the filigree for the outside edge.mp455.61MB
26. 26. Modeling the band connectors.mp454.5MB
27. 27. Using MoGraph to create the watch band.mp470.75MB
28. 28. Finishing the watch band.mp454.27MB
29. 29. Using a deformer to edit the watch band.mp437.1MB
30. 30. Creating the wind.mp467.62MB
31. 31. Adding final details.mp463.35MB
32. 32. Building the main rose gold texture from an existing shader.mp430.37MB
33. 33. Creating materials that complement our rose gold.mp434.62MB
34. 34. Applying textures for maximum contrast and readability.mp465.6MB
35. 35. Using Selection tags to apply multiple textures on a single piece of geometry.mp467.04MB
36. 36. Setting up Camera 1.mp458.91MB
37. 37. Setting up Camera 2.mp467.4MB
38. 38. Setting up Camera 3.mp469.2MB
39. 39. Setting up Camera 4.mp428.64MB
40. 40. Creating a gradient for our environment lighting.mp414.16MB
41. 41. Setting up our main lights.mp444.38MB
42. 42. Setting up additional lights.mp438.63MB
43. 43. Finishing the light setup.mp459.68MB
44. 44. Using planes of geometry to bounce light on reflective surfaces.mp424.62MB
45. 45. Troubleshooting geometry issues.mp427.99MB
46. 46. Editing the assignment of our materials.mp427.59MB
47. 47. Tweaking our materials.mp454.78MB
48. 48. Editing the key light.mp420.37MB
49. 49. Setting our render settings.mp421.02MB
50. 50. Checking our render with the external renderer.mp431.65MB
51. 51. Adjusting the Camera focus distance for maximum contrast in our depth pass.mp462.87MB
52. 52. Splitting the project into multiple projects for easier rendering.mp461.31MB
53. 53. Adding subdivisions on a shot-by-shot basis.mp462.51MB
54. 54. Rendering our shots.mp427.63MB
55. 55. Importing our passes into After Effects and organizing them.mp420.75MB
56. 56. Using the ambient occlusion passes.mp439.13MB
57. 57. Creating depth of field with Camera Lens Blur and the depth pass.mp434.32MB
58. 58. Faking depth of field with Adjustment Layers.mp461.95MB
59. 59. Using the alpha pass with the depth pass to fix areas of incorrect blur.mp432.71MB
60. 60. Using the alpha pass to replace the background.mp429.72MB
61. 61. Adding vignette and filter flare ghosts.mp483.53MB
62. 62. Creating tracks for lens flares.mp459MB
63. 63. Adding lights and parenting them to the null objects.mp446.96MB
64. 64. Creating lens flares with Knoll Light Factory.mp465.83MB
65. 65. Editing the look of the lens flares.mp466.12MB
66. 66. Keying the flare brightness over time.mp474.88MB
67. 67. Creating astigmatism and chromatic aberration.mp436.03MB
68. 68. Adding our watch brand logo with a mask reveal.mp437.68MB
69. 69. Using the pixel motion blur effect.mp430.74MB
70. 70. Transitioning between shots.mp463.83MB
71. 71. Rendering our watch commercial to a sequence.mp430.43MB
72. Project_Files.rar960.38MB