Digital Tutors - Indie Game Development Pipeline Volume 7 Boss Character Rigging and Animation

1. 20 Painting weights.mp456.02MB
2. 12 Adding finger bones.mp449.72MB
3. 11 Starting on the character's arm chain.mp441.3MB
4. 26 Adding influence objects to a bound mesh.mp438.81MB
5. 49 Animating the boss's roar.mp435.24MB
6. 50 Finishing the extremes for the boss's roar.mp434.49MB
7. 58 Finalizing the animation.mp433.53MB
8. 15 Finalizing the orientation of our finger joints and mirroring our arm chain.mp432.29MB
9. 60 Pushing appeal and exporting our animations.mp431.56MB
10. 47 Roughing in the boss's reaction to the player.mp431.27MB
11. 48 Blocking in the boss as he loosens up his rigid form.mp431.17MB
12. 51 Finalizing our initial blocking pass.mp430.13MB
13. 44 Double-checking our rig and creating selection sets with MEL.mp427.77MB
14. 34 Controlling the eyelids.mp427.73MB
15. 16 Skinning the boss's eye and eyelids.mp426.85MB
16. 05 Creating joints for the root and upper body.mp426.33MB
17. 42 Completing the layout of our finger controls.mp426.14MB
18. 56 A second polishing pass.mp426.12MB
19. 39 Setting up controls for the arms.mp426.09MB
20. 38 Controlling the trees on top of the boss's head.mp425.26MB
21. 52 Second round of blocking.mp425.13MB
22. 07 Setting up joints for the boss's eye and eyelids.mp424.83MB
23. 31 Controlling the knees.mp424.79MB
24. 28 Creating leg controls.mp424.55MB
25. 27 Creating a global control.mp424.32MB
26. 08 Adding joints for the eyebrows.mp424.1MB
27. 57 Eliminating rigid movements and fine-tuning arcs.mp423.82MB
28. 46 Blocking in the boss's intro sequence.mp423.49MB
29. 09 Creating joints for the trees on top of the character's head.mp423.45MB
30. 19 Binding the character's body.mp423.26MB
31. 10 Segmenting joint chains in Maya.mp421.85MB
32. 41 Starting on the boss's finger controls.mp421.29MB
33. 02 Setting up the scene and adding leg joints.mp421.24MB
34. 32 Setting up a center-of-gravity control.mp419.66MB
35. 37 Finishing our brow controls.mp418.5MB
36. 04 Finishing our initial joint chain and mirroring it to the opposite leg.mp418.1MB
37. 03 Quickly modifying the orientation of joints in Maya.mp417.53MB
38. 25 Completing our forearm twist rig.mp417.42MB
39. 53 Re-timing the boss's performance.mp417.26MB
40. 14 Checking the arm chain's orientation and using MEL to reorient joints.mp416.97MB
41. 55 Our first polishing pass.mp416.66MB
42. 13 Cleaning up our finger bones.mp415.99MB
43. 22 Using MEL to search for skin clusters and skin joints.mp415.67MB
44. 33 Controlling the jaw.mp415.45MB
45. 36 Creating brow controls.mp415.42MB
46. 54 Finalizing our timing adjustments of the boss's opening animation.mp415.4MB
47. 45 Setting up our scene for animation.mp415.07MB
48. 40 Adding elbow controls.mp414.63MB
49. 30 Finishing our foot controls.mp414.48MB
50. 29 Adding inverse kinematics to the legs.mp414.19MB
51. 43 Finishing the fingers.mp412.54MB
52. 35 Removing offset values on constrained objects.mp412.36MB
53. 06 Creating a jaw bone.mp411.67MB
54. 17 Skinning the eyebrows.mp410.94MB
55. 21 Mirroring weights.mp410.88MB
56. 18 Skinning the trees on top of the boss's head.mp49.41MB
57. 23 Maintaining volume in the forearms.mp49.24MB
58. 24 Mirroring our twist joints.mp46.48MB
59. 01 Introduction and project overview.mp46.18MB
60. 59 Animating with efficiency in mind.mp44.82MB