Lynda - mocha 4 Essential Training

1. 001 Welcome.mp42.07MB
2. 002 Using the exercise files.mp44.88MB
3. 003 Creating the first projects.mp46.68MB
4. 004 Creating the first tracks.mp417.27MB
5. 005 Planar tracking tricks.mp428.55MB
6. 006 Checking and fixing the track.mp451.86MB
7. 007 Timeline tricks - In and out points on projects and layers.mp47.21MB
8. 008 Tracking objects that move offscreen with unlink tracking.mp419.17MB
9. 009 Creating a fast rotospline.mp424.42MB
10. 010 Using the data in After Effects.mp445.57MB
11. 011 Introducing the different versions of mocha.mp47.23MB
12. 012 mocha v4 user interface changes.mp46.69MB
13. 013 Core modules - Clip.mp44.91MB
14. 014 mocha v4 project setup and changes to the Clip module.mp410.1MB
15. 015 Core modules - Track.mp45.3MB
16. 016 Core modules - AdjustTrack.mp410.43MB
17. 017 Lens Distortion (mocha AE & mocha Pro only).mp44.2MB
18. 018 3D Camera Solver (mocha AE & mocha Pro only).mp44.13MB
19. 019 Additional features included with mocha Pro.mp45.02MB
20. 020 Launching mocha through After Effects.mp419.32MB
21. 021 Setting up preferences - Output settings.mp415.34MB
22. 022 Setting up preferences - System settings.mp410.4MB
23. 023 Setting up preferences - Clip and Logging settings.mp412.06MB
24. 024 Starting a new project.mp410.49MB
25. 025 Preparing for tracking in the Clip module.mp425.48MB
26. 026 Organizing rotospines with layer controls.mp420.21MB
27. 027 Customizing keyboard shortcuts in mocha V4.mp48.55MB
28. 028 Why use planar tracking_.mp430.45MB
29. 029 Choosing the right place to track.mp428.63MB
30. 030 What the planar tracker does not track.mp413.92MB
31. 031 Setting the right tracking parameters.mp423.51MB
32. 032 Tracking luminosity vs. color channels.mp46.54MB
33. 033 What is the Surface_.mp424.37MB
34. 034 Tracking scale.mp424.18MB
35. 035 Working with track mattes to track complex shapes.mp435.3MB
36. 036 Tracking rotation.mp443.15MB
37. 037 When to use Shear or Perspective.mp424.16MB
38. 038 What to do first when things go wrong.mp421.65MB
39. 039 When to use the Adjust Track module.mp46.25MB
40. 040 Using the Adjust Track module.mp436.07MB
41. 041 What to do when objects go offscreen.mp419.55MB
42. 042 Using the viewer helpers.mp426.07MB
43. 043 The difference between visible layers and active layers.mp415.28MB
44. 044 Dealing with issues with interlaced footage.mp428.87MB
45. 045 Picking the correct Corner Pin export.mp437.26MB
46. 046 Exporting transform data for match-moving.mp424.73MB
47. 047 Exporting transform data for stabilization.mp419.71MB
48. 048 Updates to using tracking data in After Effects.mp419.65MB
49. 049 Troubleshooting 'bad' tracking data.mp416.1MB
50. 050 Finishing touches and adding motion blur.mp425.18MB
51. 051 Using Motion Corner Pin data.mp426.83MB
52. 052 Exporting Motion transform data.mp417.27MB
53. 053 Exporting mocha data to Final Cut Pro 7.mp436.3MB
54. 054 How to work around the limitations of Final Cut Pro 7`s animation properties.mp432.95MB
55. 055 Using mocha motion tracking with BCC Corner Pin.mp432.51MB
56. 056 Using mocha transform data with BCC Lens Flare.mp428.17MB
57. 057 Introduction to rotosplines.mp49.69MB
58. 058 Setting up your layout for rotoscoping.mp418.08MB
59. 059 When to use X-splines.mp421.39MB
60. 060 When to use Bezier splines.mp425.39MB
61. 061 Bezier Spline Point Types - Corners, Linear, Smooth.mp47.29MB
62. 062 Connecting shapes to tracking data.mp430.05MB
63. 063 Simplifying roto work with planar tracking.mp464.04MB
64. 064 When to use multiple splines on a single layer.mp428.24MB
65. 065 Checking rotosplines with the Matte view.mp411.61MB
66. 066 Breaking down the task.mp48.55MB
67. 067 Creating the main track and offset tracking.mp424.22MB
68. 068 Using track mattes for difficult tracks.mp419.83MB
69. 069 Breaking down complex shapes.mp427.57MB
70. 070 Connecting and organizing rotosplines.mp415.58MB
71. 071 Mixing shape types on a layer.mp419.95MB
72. 072 Animation and keyframe controls.mp434.84MB
73. 073 Using the Join Layers tool.mp430.8MB
74. 074 Getting it right with Edge Properties.mp423.28MB
75. 075 Taming the power of the berkey.mp421.56MB
76. 076 Bringing shapes into After Effects.mp423.6MB
77. 077 Handling complex mask shapes.mp441.48MB
78. 078 Handling complex motion blur.mp417.9MB
79. 079 Rendering shape data (mocha Pro only).mp419.04MB
80. 080 Tracking in a different color space.mp442.99MB
81. 081 When to use Align Surface.mp436.86MB
82. 082 Exporting shape data to Premiere Pro CC 2014.mp418.18MB
83. 083 Why it is important to correct for lens distortion.mp421.8MB
84. 084 Setting up the distortion model.mp435.3MB
85. 085 Using a grid.mp417.38MB
86. 086 Using the undistorted data in mocha.mp416MB
87. 087 How to use the distortion data in After Effects.mp455.85MB
88. 088 When should you use mocha`s Camera Solver_.mp46.71MB
89. 089 Identifying the type of camera movement.mp429.85MB
90. 090 Picking the right surfaces - Pan and Tilt.mp466.47MB
91. 091 Picking the right surfaces - Zoom.mp429.38MB
92. 092 Picking the right surfaces - Parallax camera.mp436.43MB
93. 093 Exporting and checking the 3D camera data in After Effects.mp460.48MB
94. 094 Troubleshooting and limitations of the Camera Solver.mp431.38MB
95. 095 Setting up a stereoscopic 3D project.mp415.04MB
96. 096 Tracking S3D material.mp418.21MB
97. 097 Rotoscoping S3D footage.mp426.59MB
98. 098 Exporting stereoscopic 3D track and shape data to After Effects.mp429.65MB
99. 099 Next steps.mp44.4MB
100. Exercise Files.rar1.51GB